What is Acting Everyday?
About me
Hi! I’m AT, founder of Acting Everyday. 👋 I’m a writer and chronic overthinker with a pantry full of coffee and a mind full of questions. Questions like… did I leave the stove on? Somethin’ on my face? Is it care-uh-mull or car-mull?
When my anxiety takes a nap, I think about the myriad ways in which we say things we don’t mean, deceive ourselves (and in turn those around us) without understanding why we do it. And the theater of it all. 🎭
I majored in Sociology and have a Master’s in Humanities from York University. I’ve spent years exploring human behavior through the lens of cinema and now I write all about it to quell my anxiety — and hopefully yours, too.
About the blog
Acting Everyday explores human behavior and culture through the lens of film, social psychology, and neuroscience. It’s inspired by my graduate research on performance and self-deception, as well as The Presentation of Self by sociologist Erving Goffman.
My goal is to provoke curiosity and critical thinking by shining a light on hidden influences that shape our behavior, and hopefully inspire you to reflect on the roles you play in your own life.
This is a 100% independently-owned website and blog.
I built every (good, bad, and ugly) inch of this site by myself and am NOT affiliated with any companies, agencies, or acting schools. I write and create content because I love it.
If you’re curious for more, subscribe to my FREE monthly newsletter for latest posts + cool film recommendations!
Psst... what's the fourth wall? 
The fourth wall is the imaginary barrier that separates actors from the audience. They know it’s there, we know it’s there. But the wall sustains the fiction; it keeps them out of our world, and us from theirs.
To break the fourth wall is to disrupt the fiction.
In film, it’s when the actor acknowledges the audience for comedic or dramatic effect, sometimes probing their conscience during a moral dilemma. For example, in The Irishman, Robert De Niro breaks the fourth wall by looking directly at the camera more than 5 times during a moral conflict. As a result, the audience is not only confronted but implicated by simply bearing witness. Check it out. 👇
Source: The Irishman, 2019, Netflix
What if you wore a mask long enough that you forgot it was on?